It's another TEAM PLAY episode, with our returning champions, star of improv stages and podcasts Chris and College of Southern Nevada philosophy prof Cole receiving NOT THE INFORMATION THEY EXPECT and gettin' all rational and such when consoling a friend and wrangling about a math quiz. Luxuriate in the rich characters and philosophy tools!

Mark philosophizes at partiallyexaminedlife.com. Bill improvises (and teaches) at chicagoimprovstudio.com.

Hear more at philosophyimprov.com. Support the podcast to get all our post-game discussions, a video version of the podcast, and other bonus stuff. 

On the second half of Friedrich Schiller's On the Aesthetic Education of Man (1795), getting into the mechanics of how aesthetic experience work in giving us a midpoint between animality and pure rationality where we can feel free. Also, does art reveal truth?

Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion.

Mark and Bill talk about the lost art of prank phone calls and act out some "customer service nightmares" with an eye to the foundations of law and creativity that defies artistic rules. The scenes are longer and riskier than normal.

Mark philosophizes at partiallyexaminedlife.com.

Bill improvises (and teaches) at chicagoimprovstudio.com.

Hear more at philosophyimprov.com. Support the podcast to get all our post-game discussions and other bonus stuff.

Sponsor: Check out the Totes Recall film review podcast at totesrecall.com.

Episode 2 of Wes's new podcasting endeavor, featuring Mary from the Phi Fic podcast, who's also the managing editor of the PEL blog.

Note: Part two will NOT be appearing on this feed. Become a PEL Citizen to get the full discussion. Visit partiallyexaminedlife.com/support to learn how.

Is media trying to brainwash us into being ALL THE SAME? Are the excesses of the mob scaring us into conformity? Mark, Erica, and Brian muse on cultural homogenization and are joined by comedian Dr. Yakov Smirnoff to talk about growing up in a repressive society and the shadow of political correctness over comedy.

For more about this podcast, see prettymuchpop.com. Hear bonus content for this episode, and more episodes in advance, at patreon.com/prettymuchpop.

This podcast is curated by openculture.com and The Partially Examined Life Podcast Network.

Does politics have to be Machiavellian? Do you have to be ruthless to succeed?

Given our treatment of Game of Thrones and Life Is a Dream, and the way in which end-justifying-the-means logic plays endlessly in our real-life political situation, it's time we looked back on our episode 14 on Machiavelli. Mark Linsenmayer reviewed that episode and recorded a little essay about practicing Machiavellian politics to get you back in this spirit.

Support this project at patreon.com/marklint!https://patreon.com/marklint

Concluding on William James's Psychology, the Briefer Course (1892). We briefly cover emotions and spend the bulk of our time on will.

James’s introspective method allows us to distinguish reflex or coerced actions from voluntary, free-seeming ones, and gives us the vocabulary to attribute moral virtue to those who have enough willpower to keep those inconvenient truths in mind (if you eat this, you’ll get fat!) that allow us to successfully resist temptation.

Listen to part one first, or get the unbroken, ad-free Citizen Edition. Support PEL!

End song: "Join the Zoo/Live Again" by Craig Wedren; listen to him on Nakedly Examined Music #15.

David has recorded seven albums since 2000. Usually one wants to avoid the term "Beatlesque," but David is a Beatles freak who once recorded his performances all 209 Beatles songs over 209 days. We discuss "Time to Go" from David Brookings and the Average Lookings (2016), "Dead Battery" from Chorus Verses the Bridge (2005), and the title track from Obsessed (2007). We conclude by listening to "If I Don't Make It Back" from The Maze (2013). Opening music: "You’re So Right, It Went So Wrong" from the current album.

For more, see davidbrookings.net. Hear more Nakedly Examined Music. Like our Facebook page. Please support the podcast at patreon.com/nakedlyexaminedmusic.

More on the 1967 Situtationist book. Do we buy Debord's critique? Is any merely partial critique (i.e. no revolution) just more spectacle? Is technology inherently dehumanizing? Don't these passivity/anti-technology arguments even apply to books? Could Debord's model of authenticity catch on in society as a whole?

Start with part 1, or get the Citizen Edition. Please support PEL!

End song: "Millionaire" by The Mekons (1993); Jon Langford appears on Nakedly Examined Music #22.

What is culture? In modern capitalism, Debord’s 1967 book describes it as all about the economy. It’s not just our jobs that keep us trapped, but our life outside of working hours is also demanded by “the system” via our activity as consumers, and this commoditization infiltrates every corner of our lives. Debord wants us to WAKE UP, break our chains, and live lives of immediacy, vitality, and authenticity.

Continue with part 2 or get your unbroken, ad-free Citizen Edition now. Please support PEL!

More on Darwin's famous book. Why does it matter for philosophy, beyond providing an alternative to intelligent design? Is it really anti-religious? How can well tell if it's really a scientific theory? Talking about a species evolving trait X to enable survival sounds teleological; is it really, and is that bad? Why would the mind develop through natural selection?

Continues from part 1, or just get the unbroken, ad-free Citizen Edition. Please support PEL!

End song: "I Live" by Jason Falkner, as interviewed on Nakedly Examined Music #47.

Continuing on the Tractatus Theologico-Politicus (1670), ch. 1–11. We go more into natural laws vs. ordinances; does it make sense to say that God makes rules for people? Also, how does Spinoza deal with alleged miracles given that natural laws are absolute regularities?

Continued from part 1, or get the ad-free Citizen Edition now. Please support PEL!

End song: "Spinoza's Dream" by Dave Nachmanoff, as discussed on Nakedly Examined Music #20.

On Benedict de Spinoza's Tractatus Theologico-Politicus (1670), ch. 1–11. For Spinoza, the Bible was a political issue, and he was interested in a way to read it that didn't lead to people fighting wars and persecuting each other. Spinoza argues that a respectful reading is one that looks for the central message and doesn't paper over many places where the text was tailored to its original audience's prejudices, or where for historical reasons we can't now really know what it meant to them.

Please support PEL! 

More on the novel with guest Corey Mohler, considering Dostoyevsky qua existentialist in terms of his analysis of the crisis of meaning and his consequent views on religion.

Listen to part 1 first, or get the unbroken, ad-free Citizen Edition. Get a Dostoyevsky T-shirt!

End song: "Don Quixote" by Nik Kershaw, as interviewed on Nakedly Examined Music #37. 

On Fyodor Dostoyevsky's philosophical novel from 1869. Could a morally perfect person survive in the modern world? Is all this "modernity," which so efficiently computes our desires and provides mechanisms to fulfill them, actually suited to achieve human flourishing? Dostoyevsky's Russian existentialism says no! 

Please support PEL!

Continuing our interview about Natural Kinds and Genesis: The Classification of Material Entities. Buy Stewart's book at www.rowman.com and use the code LEX30AUTH17 to get 30% off.

Listen to part 1 first or get the ad-free Citizen Edition.

End song: "Destroy the Box" by Wertico, Cain and Gray from Organic Architecture (2014). Hear Paul Wertico and David Cain interviewed on Nakedly Examined Music #30.

On Natural Kinds and Genesis: The Classification of Material Entities (2016). Are general terms like "water" or "dog" just things that we made up to order the world? Aristotle thought that some universals constitute natural kinds, with a nature that explains their behavior. "Kinds" were replaced with "laws," but Stewart wants us to reconsider, and bring back "natural philosophy" in the process.

Please support PEL!

On the short stories "This Morning, This Evening, So Soon" (1960) and "Sonny’s Blues" (1957). Mark joins the Phi Fic crew to supplement PEL ep. 162 by delving into Baldwin's fiction, which is actually pretty similar to his biographical essays.

Continuing on I Am Not Your Negro, "Notes of a Native Son" (1955), and The Fire Next Time (1963). We (and Law Ware) discuss Baldwin's critique of the American dream, how to oppose the inhumanity of others without becoming inhuman yourself, and Baldwin's take on religion. Plus, was the the documentary actually good as a film?

Please support PEL!

On the film I Am Not Your Negro and the essays "Notes of a Native Son" (1955) and The Fire Next Time (1963). With guest Law Ware. Baldwin diagnoses our racism-related psycho-social maladies, but how can we best translate his observations into generally applicable philosophical theory?

Please support PEL!

Continuing with guest Law Ware on the philosophical underpinnings of the rhetoric of white privilege, with readings as listed in part 1.

End song: "Power" by Narada Michael Walden from Thunder 2013, as interviewed for Nakedly Examined Music ep. 16.

Is the rhetoric of "White Privilege" just the modern way of acknowledging historical and systemic truths of racism, or does it point to a novel way for acknowledging injustice, or does it on the contrary obscure these insights by involving confused claims about group responsibility and guilt? Readings include articles by Peggy McIntosh, Charles W. Mills, George Yancy, Tim Wise, Lewis R. Gordon, Lawrence Blum, and John McWhorter. With guest Law Ware.

Please support PEL!

Continuing with 1984. How does the book relate to real-world politics? Is this something that we should actually be afraid our society will turn into? Was he predicting history, or was it satire, or what? We discuss the the realms of intimacy vs. surveillance, how a state might "contain" a mind that it controls, and "doublethink."

Listen to part 1 first, or get the ad-free Citizen Edition.

End song: "Civil Disobedience" by Camper Van Beethoven from New Roman Times (2004), written by Jonathan Segel as interviewed on Nakedly Examined Music ep. 38.

On the novel 1984 (1949) and the essays “Politics and the English Language” (1946) and “Notes on Nationalism” (1945). What's the relation between language and totalitarianism? Orwell shows us a society where the rulers have mastered the art of retaining power, and one element of this involves "Newspeak," where vocabulary is limited to prevent subversive speech, and ultimately thoughts. Do our linguistic habits and the Orwellian lies of our leaders point to a slippery slope toward the world of 1984?

Please support PEL!

Continuing on the Analects without our guest. We cover passages on glibness, using names properly, filial conduct, remonstrance, love of learning, places where he sounds like Socrates, and more!

Listen to part 1 first or just get the full, ad-free Citizen Edition.

End song: "Please Allow Me to Look at You Again," from The Edge of Heaven (2013) by Gary Lucas, as interviewed on Nakedly Examined Music ep. 7.

On the Analects, compiled after 479 BCE. How should we act? What's the relation between ethics and politics? Can a bunch of aphorisms written in the distant past for an unapologetically hierarchical culture emphasizing traditional rituals actually give us relevant, welcome advice on these matters? Are we even in a position to determine the meaning of these sayings? With guest Tzuchien Tho.

Please support PEL!

Continuing on the Consolation, chiefly books 3 and 4, on virtue ethics (we all naturally aim at the good but can be mistaken about it or too weak to follow it), theodicy (even the apparent bad is actually good from God's perspective), and the weird way in which those interact (fame, pleasure, wealth are really all the same thing, i.e., happiness, i.e., God).

Listen to part 1 first, or get the unbroken, ad-free Citizen Edition. Please support PEL!

End song: Carrie Akre's "Last the Evening" from the album of that name from 2007. Hear Carrie interviewed on Nakedly Examined Music Ep. 17.

On the Consolation, written as he awaited execution in 524 CE. Do bad things really happen to good people? Boethius, surprisingly, says no, for Stoic (anything that can be taken away can't be of central importance; you can't lose your virtue in this way), Aristotelian (all things tend toward the good, and the best thing for a person is achieving his or her innate potential, which is to be virtuous), and Christian (God's unknowable plan means that even the stuff that seems bad really isn't) reasons.

Please support PEL!

Continuing on Achieving Our Country: Leftist Thought in 20th Century America (1998). We talk more about Rorty's description of the conflict between the "reformist left" and the "cultural left." Do political-comedy shows serve a a positive political purpose? Can an enlightened political viewpoint really be a mass movement at all? Is it better to pursue specific political campaigns or be part of a "movement?" Can Rorty's diagnosis cure Seth's malaise?

Listen to part 1 first, though you should probably just get the ad-free, unbroken Citizen Edition.

End song: "Wake Up, Sleepyhead," by Jill Sobule, as interviewed on Nakedly Examined Music #11.

On Achieving Our Country: Leftist Thought in 20th Century America (1998). What makes for efficacious progressivism? Rorty argues that reformism went out of fashion in the '60s in favor of a "cultural left" that merely critiques and spectates, leaving a void that a right-wing demagogue could exploit to sweep in, claiming to be a champion of regular working people. Sound familiar?

Please support PEL!

Continuing our liberal bubble-bursting exercise, the core foursome address more directly the question of how philosophy is supposed to shape one's political views and actions. On a non-partisan "public good" and rhetorical strategies in the face of an apathetic and/or ignorant public.

Listen to part 1 first or get the ad-free, unbroken Citizen Edition. Please support PEL!

End song: "Better Days" from The Getaway Drivers' Bellatopia; check out Mark's interview with singer/songwriter Bob Manor on Nakedly Examined Music ep. 11.

How does studying philosophy help you to make sense of the political landscape? Wes, Mark, Dylan, and Seth play pundit and reflect on political rhetoric, elitism, and much more. There is no text for this episode! Freedom!

Please support PEL!

On Philosophy and the Mirror of Nature (1979), Part II: "Mirroring."

Is a "theory of knowledge" possible? Rorty thinks that any such account will be a fruitless search for foundations. Knowledge is really just a matter of social agreement, and beliefs must be justified from other beliefs, not from any alleged relationship to reality.

End song: "The Ghosts Are Alright" from The Bye-Bye Blackbirds (Houses and Homes, 2008), as discussed on Nakedly Examined Music #32.

Please support PEL!

On "Empiricism and the Philosophy of Mind" (1956).

Is knowledge based on a "foundation," as Descartes, Locke, et al. thought? Sellars says no: The allegedly basic elements upon which knowledge would be built either have to be propositions, in which case they involve a lot of prior knowledge involved in language use and so aren't really basic, or they're "raw feels," in which case they can't actually serve as reasons for anything; reasons have to be propositional. With guest Lawrence Dallman.

End song: "Senses on Fire" by Mercury Rev. Check out the interview with singer Jonathan Donahue in Nakedly Examined Music ep. 14.

Please support PEL!

On Philosophy and the Mirror of Nature (1979), Part I: "Our Glassy Essence."

"The mind" seems to be an unavoidable part of our basic conceptual vocabulary, but Rorty thinks not, and he wants to use the history of philosophy as a kind of therapy to show that many of our seemingly insoluble problems like the relation between mind and body are a result philosophical mistakes by Descartes, Locke, and Kant. With guest Stephen Metcalf of Slate's Culture Gabfest podcast.

End song: "Wall of Nothingness" from Sky Cries Mary from This Timeless Turning (1994). Listen to Mark's interview with the band's frontman, Roderick Romero, in Nakedly Examined Music ep. 9.

Please support PEL!

Democracy is in peril! So said Tocqueville in 1835 and 1840 when Democracy is America was published, and it's still true now. Democracy is always just one demagogue away from stripping us of our liberties, though certain structural and cultural features can make that more or less likely. He liked our volunteerism and innovation, but not so much our tendencies toward materialism and isolation and our lack of philosophical curiosity. Recorded live at Brown University 10/27/16 with audience Q&A. Watch the video!

End song: "Shot of Democracy" by Cutting Crew. Listen to Mark's interview with singer/songwriter Nick Eede on Nakedly Examined Music #10.

On Reflections on the Revolution in France (1790). What relevance do the concerns of a monarchy-defending aristocrat have for us today? Surprisingly, a lot! The full foursome discuss possible conflicts between freedom, rights, and well-being. What is political freedom without public wisdom? The tyranny of the mob!

End song: "Hard Times of Old England" from Peter Knight's Gigspanner (from Layers of Ages, 2015); listen to Mark's interview with Peter on Nakedly Examined Music #27.

http://partiallyexaminedlife.com

Mark and Wes interview perhaps the world's most influential living philosopher, then the full foursome discusses. We discuss his ongoing work rooted in his 1971 essay "Famine, Affluence, and Morality," about the warped priorities of our consumerist society: We spend money on luxuries while innocent children overseas die from inexpensively preventable causes. For more about Peter, see www.petersinger.info.

End song: "Ann the Word" by Beauty Pill (2015), explored in Nakedly Examined Music #19.

Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.

Broadway stars Walter Bobbie and Bill Youmans perform Plato's dialogue in which Socrates awaits his execution. Should Socrates defy the verdict and try to escape the city? Socrates says no; that would be ungrateful to the city whose benefits he's enjoyed. Bill joins the full PEL foursome for a lively discussion.

End song: "Fall Away" by Mark Lint and the Fake from the album So Whaddaya Think? (2000).

Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.

On the final books 8–10 of Aristotle's Nichomachean Ethics. What does friendship have to do with ethics? With guest Ana Sandoiu.

Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.

On the Nichomachean Ethics (ca. 350 BCE), books 6–7. Is intelligence just one thing? Aristotle picks out a number of distinct faculties, some of which are relevant to ethics, and he uses these to explain Plato's puzzle of how someone can clearly see what the good for him is, and yet fail to pursue it due to weakness of the will. This episode continues our discussion from way back in ep. 5.

End song: "I Die Desire" from The MayTricks (1992).

Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.

http://partiallyexaminedlife.com

More Levinas, working this time through Time and the Other (1948). What is it for a person to exist? What individuates one person from another, making us into selves instead of just part of the causal net of events? Why would someone possibly think that these are real, non-obvious questions that need to be addressed?

End song: "Call on You" by Mark Lint from from the 1993 Mark Lint album Spanish Armada: Songs of Love and Related Neuroses.

Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.

On "Ethics as First Philosophy" (1984). More existentialist ethics, with a Jewish twist this time! Seth returns to join Mark and Wes in figuring out how to best leave off all this aggressive "knowing" and other forms of individual self-assertion to grasp the more primordial appearance of the Other in all his or her vulnerability, which Levinas thinks makes us wholly responsible for others right off the bat.

End song: "To Valerie" from The MayTricks' So Chewy (1993).

Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.

On Anger and Forgiveness: Resentment, Generosity, Justice (2016). What role should we allow anger to play in our public life? Should systems of punishment be utilitarian, or should they be retributive? Nussbaum thinks that anger necessarily involves the desire for payback, which is unhelpful. We should instead use anger to prevent future harm. Mark, Wes, and Dylan interview Martha and then discuss issues raised in the interview and the book.

End song: "Forgive the Disco," a Nussbaum-inspired Mark vocal on an instrumental by Sean Beeson, interviewed on Nakedly Examined Music #23.

Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.

Guest Wes Alwan joins regulars Nathan Hanks, Mary Claire, Daniel St. Pierre, Laura Davis, and Cezary Baraniecki to discuss Mary Shelley's classic novel in this special cross-post from the newest member of the Partially Examined Life podcast network. More Phi Fic.

On the later Platonic dialogue. What is a sophist? These were guys in Ancient Greece who taught young people the tools of philosophy and rhetoric. They claimed to teach virtue. In Sophist, "the Eleatic Stranger" (i.e., not Socrates) tries to figure out what a sophist really is, using a new "method of division." This Plato era provides a nice transition to the category man Aristotle, and the whole concern with sophistry is certainly still relevant today!

End song: "Dumb," by Mark Lint and the Fake from the album So Whaddaya Think? (2000).

Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.

Socrates hangs out in the country flirting with his buddy Phaedrus. And what is this "Platonic" love? Using the enticement of desire not to rush toward fulfillment, but to get you all excited about talking philosophy. Socrates critiques a speech by renowned orator Lysias, who claimed that love is bad because it's a form of madness, where people do things they then regret after love fades. Socrates instead delivers a myth that shows the spiritual benefits of loving and being loved. With guest Adam Rose.

End song: "Summertime" by New People, from Might Get It Right (2013).

Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.

More on The Ethics of Ambiguity (1947), this time on part III. (For Wes Alwan's summary of this book, go here). Ep. 140 laid out man's "ambiguity," but what does that mean in terms of practical decision making? B. talks about the practical paradoxes of dealing with oppression and what it might mean to respect the individual, given that there's no ultimate, pre-existent moral rulebook to guide us, nothing we can point to to excuse the sacrifice of someone to a "greater good."

Become a PEL Citizen to listen to the the Aftershow featuring Beauvoir scholar Jennifer Hansen.

End song: "Indiscretion (Mess Things Up)" from the 1993 Mark Lint album Spanish Armada: Songs of Love and Related Neuroses.

Continuing on Simone de Beauvoir's The Ethics of Ambiguity (1947), parts I and II. For Wes Alwan's summary of this book, go here. We discuss all the various ways to fail to wholly will your own freedom, i.e., will it all the way to where you will the freedom of others. Will you be "sub-man" or "serious man" or "nihilist" or "adventurer?" There are many ways to fail the existential test!

On The Ethics of Ambiguity (1947), parts I and II. For Wes Alwan's summary of this book, go here. We return to existentialism! Instead of describing our predicament as "absurd," de Beauvoir prefers "ambiguous": We are a biological organism in the world, yet we're also free consciousness transcending the given situation. Truly coming to terms with this freedom means not only understanding that you transcend any label, but also recognizing that your freedom requires the freedom of others. The full foursome discuss whether this attempt to ground an existentialist ethics works.

End song: "Reasonably Lonely," by Mark Lint.

http://partiallyexaminedlife.com

On Ain't I a Woman: Black Women and Feminism (1981) and Black Looks: Race and Representation (1992, Intro, Ch. 3, 11). How do these pernicious forces interact? hooks describes black women as having been excluded from both mainstream historical feminism (led by white women) and black civil rights struggles (permeated with patriarchy), and this "silencing" creates challenges for self-actualization and social justice. The solution: media critique of stereotyped images and personally connecting to a historical narrative of liberation. With guest Myisha Cherry, host of the UnMute Podcast.

End song: "Stories" by Mark Lint and Steve Petrinko (2011).

We interview John about Seeing Things As They Are (2015). What is perception? Searle says that it's not a matter of seeing a representation, which is then related to things in the real world. We see the actual objects, with no mediation. But then how can there be illusions? Well, it's complicated, but not too complicated, just some funny terminology that this episode will teach you.

Searle lays out his theory for us and amusingly dismisses much of the history of philosophy in the first half, and then Mark, Wes, and Dylan continue the discussion to make sure we understood what was just said and chase down some threads of the conversation.

End song: "Flesh and Blood" from The MayTricks' Happy Songs Will Bring You Down (1994).

We interview John about Seeing Things As They Are (2015). What is perception? Searle says that it's not a matter of seeing a representation, which is then related to things in the real world. We see the actual objects, with no mediation. But then how can there be illusions? Well, it's complicated, but not too complicated, just some funny terminology that this episode will teach you.

On Pierre Bourdieu's Distinction: A Social Critique of the Judgment of Taste (1979), introduction, ch 1 through p. 63, conclusion, and postscript. How do our tastes in music, art, and everything else reflect our social position? This philosophically trained sociologist administered a few detailed questionnaires in 1960s France and used the resulting differences in what people in different classes preferred and how they talked about these preferences to theorize about the role that taste plays in our social games. Featuring guest Tim Quirk of Too Much Joy and recent guest on Mark's Nakedly Examined Music podcast #8. 

End song: "When She Took Off Her Shirt" from Tim's band Wonderlick's Topless At The Arco Arena (2005).

On Theodor Adorno and Max Horkheimer's "The Culture Industry: Enlightenment as Mass Deception" from Dialectic of Enlightenment (1944), plus Adorno's "Culture Industry Reconsidered" (1963). How does the entertainment industry affect us? Adorno (armed with Marx and Freud) thinks that our "mass culture" is imposed from the top down to lull us into being submissive workers.

End song: "All Too Familiar," from around 1992 with all instruments by Mark Linsenmayer, released on The MayTricks.

A whole second discussion on G.F.W. Hegel's Encyclopedia Logic, hitting sections 78–99 on the dialectic and Understanding vs. Reason. Hegel thinks we can use Reason to objectively come up with basic metaphysical categories, but can we really? With guest Amogh Sahu.

This continues ep. 134. PEL Citizens can listen to the Aftershow.

End song: "Flow" by Gary Lucas and Mark Lint. Listen to Gary interviewed about this instrumental on Nakedly Examined Music #7.

On G.F.W. Hegel's The Science of Logic (1812–1816), §1–§129 and The Encyclopaedia Logic (1817) §1–§25. "Logic" for Hegel is about how thought interacts with the world. Our thoughts about fundamental metaphysical categories bear the same relations to each other as the the categories themselves do. Just take Hegel's many, many words for it! With guest Amogh Sahu.

End song: "Procrastination" by Steve Petrinko from The MayTricks' Happy Songs Will Bring You Down (1994). Hear Mark interview Steve on Nakedly Examined Music.

Wes Alwan and Danny Lobell were joined by St. John's Annapolis tutor Rebecca Goldner, Michael Burgess, Nick Halme, Erik Weissengruber, Chase Fiorenza, and Scott Anderson to review our episodes 130 and 131. This is the first 15 minutes. PEL Citizens can hear the full discussion, or anyone can watch it on YouTube

On Fromm's The Art of Loving (1956). What is love, really? This psychoanalyst of the Frankfurt school thinks that real love is not something one "falls" into, but is an art, an activity, and doing it well requires a disciplined openness and psychological health.

End songs: "Kimmy" (1995) and "Kimmy 2002" by Mark Lint.

On selected "moral epistles" (from around 65 CE) by Lucius Annaeus Seneca: 4. On the Terrors of Death, 12. On Old Age, 49. On the Shortness of Life, 59. On Pleasure and Joy, 62. On Good Company, 92. On the Happy Life, 96. On Facing Hardship, and 116. On Self Control. We're joined by Massimo Pigliucci of the How to Be a Stoic blog, who for a long time was on the Rationally Speaking podcast. How can one most profitably interpret weird-sounding Stoic recommendations about the emotions and about following nature?

End song: "I Lose Control" by The MayTricks from So Chewy! (1993).

Our second discussion of De Anima or On the Soul (350 BCE), this time on book 3. What is the intellect? We talk about its highest part/function: nous, which is a "form of forms," literally nothing until it thinks, survives death and is not actually yours or mine, but just the universal mind!

This continues the discussion from ep. 130 and includes a preview of the Aftershow featuring Rebecca Goldner.

End song: "Wonderful You" (live 2001) by Mark Lint.

On De Anima or On the Soul (350 BCE), books 1 and 2, after some listener mail. What can this ancient text tell us about biological life? What counts as a scientific explanation? A. describes life as "the first actuality of a natural body which has organs," so bodies express their nature only when they're growing and reproducing and all that stuff that bodies do. The body is potential, and life is its actuality. So what the heck kind of explanation is that, and how does it tie into Aristotle's convoluted metaphysics?

End song: "Intermission Song" by Mark Lint from Spanish Armada: Songs of Love and Related Neuroses (1993).

Nathan Gilmour (Christian Humanist podcast) and Rob Dyer (God Complex Radio) join Mark and Wes for to discuss the reasonableness of religious belief reading Antony Flew's "The Presumption of Atheism," Norwood Russell Hanson's “The Agnostic’s Dilemma," Steven Cahn's "The Irrelevance of Proof to Religion," Alvin Plantinga's “Is Belief in God Properly Basic?" Merold Westphal's "Sin and Reason," Basil Mitchell's “Faith and Criticism," Peter van Inwagen's "Clifford's Principle," William Alston's "Experience in Religious Belief," Richard Swinburne's "The Voluntariness of Faith" and “The World and Its Order," and Paul Helm's "Faith and Merit." Read synopses of all these at partiallyexaminedlife.com.

End song: "Let Us Meet" by Mark Lint, setting an old poem by Kim Casey Linsenmayer.

On "The Meaning of Meaning" (1975). If meaning is not a matter of having a description in your head, then what is it? Hilary Putnam reformulates Kripke's insight (from #126) in terms of Twin Earths: Earthers with H20 and Twin Earthers with a substance that seems like water but is different have the same mental contents but are referring to different stuff with "water," so that word is speaker-relative in a certain way. With guest Matt Teichman. 

End song: "In the Boatyard" by Mark Lint & the Madison Lint Ensemble (2004, finished now).