Mon, 8 May 2017
Continuing our interview about Natural Kinds and Genesis: The Classification of Material Entities. Buy Stewart's book at www.rowman.com and use the code LEX30AUTH17 to get 30% off. Listen to part 1 first or get the ad-free Citizen Edition. End song: "Destroy the Box" by Wertico, Cain and Gray from Organic Architecture (2014). Hear Paul Wertico and David Cain interviewed on Nakedly Examined Music #30.
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Mon, 1 May 2017
On Natural Kinds and Genesis: The Classification of Material Entities (2016). Are general terms like "water" or "dog" just things that we made up to order the world? Aristotle thought that some universals constitute natural kinds, with a nature that explains their behavior. "Kinds" were replaced with "laws," but Stewart wants us to reconsider, and bring back "natural philosophy" in the process. |
Mon, 24 April 2017
On the short stories "This Morning, This Evening, So Soon" (1960) and "Sonny’s Blues" (1957). Mark joins the Phi Fic crew to supplement PEL ep. 162 by delving into Baldwin's fiction, which is actually pretty similar to his biographical essays.
Direct download: PELSpecial_Phi-Fic_ep_012_3-26-17.mp3
Category:Podcast Episodes -- posted at: 7:00am CDT |
Mon, 17 April 2017
Continuing on I Am Not Your Negro, "Notes of a Native Son" (1955), and The Fire Next Time (1963). We (and Law Ware) discuss Baldwin's critique of the American dream, how to oppose the inhumanity of others without becoming inhuman yourself, and Baldwin's take on religion. Plus, was the the documentary actually good as a film? |
Mon, 10 April 2017
On the film I Am Not Your Negro and the essays "Notes of a Native Son" (1955) and The Fire Next Time (1963). With guest Law Ware. Baldwin diagnoses our racism-related psycho-social maladies, but how can we best translate his observations into generally applicable philosophical theory? |
Mon, 3 April 2017
Continuing with guest Law Ware on the philosophical underpinnings of the rhetoric of white privilege, with readings as listed in part 1. End song: "Power" by Narada Michael Walden from Thunder 2013, as interviewed for Nakedly Examined Music ep. 16. |
Mon, 27 March 2017
Is the rhetoric of "White Privilege" just the modern way of acknowledging historical and systemic truths of racism, or does it point to a novel way for acknowledging injustice, or does it on the contrary obscure these insights by involving confused claims about group responsibility and guilt? Readings include articles by Peggy McIntosh, Charles W. Mills, George Yancy, Tim Wise, Lewis R. Gordon, Lawrence Blum, and John McWhorter. With guest Law Ware. |
Mon, 20 March 2017
Continuing with 1984. How does the book relate to real-world politics? Is this something that we should actually be afraid our society will turn into? Was he predicting history, or was it satire, or what? We discuss the the realms of intimacy vs. surveillance, how a state might "contain" a mind that it controls, and "doublethink." Listen to part 1 first, or get the ad-free Citizen Edition. End song: "Civil Disobedience" by Camper Van Beethoven from New Roman Times (2004), written by Jonathan Segel as interviewed on Nakedly Examined Music ep. 38. |
Mon, 13 March 2017
On the novel 1984 (1949) and the essays “Politics and the English Language” (1946) and “Notes on Nationalism” (1945). What's the relation between language and totalitarianism? Orwell shows us a society where the rulers have mastered the art of retaining power, and one element of this involves "Newspeak," where vocabulary is limited to prevent subversive speech, and ultimately thoughts. Do our linguistic habits and the Orwellian lies of our leaders point to a slippery slope toward the world of 1984? |
Mon, 6 March 2017
Continuing on the Analects without our guest. We cover passages on glibness, using names properly, filial conduct, remonstrance, love of learning, places where he sounds like Socrates, and more! Listen to part 1 first or just get the full, ad-free Citizen Edition. End song: "Please Allow Me to Look at You Again," from The Edge of Heaven (2013) by Gary Lucas, as interviewed on Nakedly Examined Music ep. 7. |