On "Empiricism and the Philosophy of Mind" (1956).

Is knowledge based on a "foundation," as Descartes, Locke, et al. thought? Sellars says no: The allegedly basic elements upon which knowledge would be built either have to be propositions, in which case they involve a lot of prior knowledge involved in language use and so aren't really basic, or they're "raw feels," in which case they can't actually serve as reasons for anything; reasons have to be propositional. With guest Lawrence Dallman.

End song: "Senses on Fire" by Mercury Rev. Check out the interview with singer Jonathan Donahue in Nakedly Examined Music ep. 14.

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On Philosophy and the Mirror of Nature (1979), Part I: "Our Glassy Essence."

"The mind" seems to be an unavoidable part of our basic conceptual vocabulary, but Rorty thinks not, and he wants to use the history of philosophy as a kind of therapy to show that many of our seemingly insoluble problems like the relation between mind and body are a result philosophical mistakes by Descartes, Locke, and Kant. With guest Stephen Metcalf of Slate's Culture Gabfest podcast.

End song: "Wall of Nothingness" from Sky Cries Mary from This Timeless Turning (1994). Listen to Mark's interview with the band's frontman, Roderick Romero, in Nakedly Examined Music ep. 9.

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Democracy is in peril! So said Tocqueville in 1835 and 1840 when Democracy is America was published, and it's still true now. Democracy is always just one demagogue away from stripping us of our liberties, though certain structural and cultural features can make that more or less likely. He liked our volunteerism and innovation, but not so much our tendencies toward materialism and isolation and our lack of philosophical curiosity. Recorded live at Brown University 10/27/16 with audience Q&A. Watch the video!

End song: "Shot of Democracy" by Cutting Crew. Listen to Mark's interview with singer/songwriter Nick Eede on Nakedly Examined Music #10.

On Reflections on the Revolution in France (1790). What relevance do the concerns of a monarchy-defending aristocrat have for us today? Surprisingly, a lot! The full foursome discuss possible conflicts between freedom, rights, and well-being. What is political freedom without public wisdom? The tyranny of the mob!

End song: "Hard Times of Old England" from Peter Knight's Gigspanner (from Layers of Ages, 2015); listen to Mark's interview with Peter on Nakedly Examined Music #27.

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Mark and Wes interview perhaps the world's most influential living philosopher, then the full foursome discusses. We discuss his ongoing work rooted in his 1971 essay "Famine, Affluence, and Morality," about the warped priorities of our consumerist society: We spend money on luxuries while innocent children overseas die from inexpensively preventable causes. For more about Peter, see www.petersinger.info.

End song: "Ann the Word" by Beauty Pill (2015), explored in Nakedly Examined Music #19.

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Broadway stars Walter Bobbie and Bill Youmans perform Plato's dialogue in which Socrates awaits his execution. Should Socrates defy the verdict and try to escape the city? Socrates says no; that would be ungrateful to the city whose benefits he's enjoyed. Bill joins the full PEL foursome for a lively discussion.

End song: "Fall Away" by Mark Lint and the Fake from the album So Whaddaya Think? (2000).

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On the final books 8–10 of Aristotle's Nichomachean Ethics. What does friendship have to do with ethics? With guest Ana Sandoiu.

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On the Nichomachean Ethics (ca. 350 BCE), books 6–7. Is intelligence just one thing? Aristotle picks out a number of distinct faculties, some of which are relevant to ethics, and he uses these to explain Plato's puzzle of how someone can clearly see what the good for him is, and yet fail to pursue it due to weakness of the will. This episode continues our discussion from way back in ep. 5.

End song: "I Die Desire" from The MayTricks (1992).

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More Levinas, working this time through Time and the Other (1948). What is it for a person to exist? What individuates one person from another, making us into selves instead of just part of the causal net of events? Why would someone possibly think that these are real, non-obvious questions that need to be addressed?

End song: "Call on You" by Mark Lint from from the 1993 Mark Lint album Spanish Armada: Songs of Love and Related Neuroses.

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On "Ethics as First Philosophy" (1984). More existentialist ethics, with a Jewish twist this time! Seth returns to join Mark and Wes in figuring out how to best leave off all this aggressive "knowing" and other forms of individual self-assertion to grasp the more primordial appearance of the Other in all his or her vulnerability, which Levinas thinks makes us wholly responsible for others right off the bat.

End song: "To Valerie" from The MayTricks' So Chewy (1993).

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On Anger and Forgiveness: Resentment, Generosity, Justice (2016). What role should we allow anger to play in our public life? Should systems of punishment be utilitarian, or should they be retributive? Nussbaum thinks that anger necessarily involves the desire for payback, which is unhelpful. We should instead use anger to prevent future harm. Mark, Wes, and Dylan interview Martha and then discuss issues raised in the interview and the book.

End song: "Forgive the Disco," a Nussbaum-inspired Mark vocal on an instrumental by Sean Beeson, interviewed on Nakedly Examined Music #23.

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Guest Wes Alwan joins regulars Nathan Hanks, Mary Claire, Daniel St. Pierre, Laura Davis, and Cezary Baraniecki to discuss Mary Shelley's classic novel in this special cross-post from the newest member of the Partially Examined Life podcast network. More Phi Fic.

On the later Platonic dialogue. What is a sophist? These were guys in Ancient Greece who taught young people the tools of philosophy and rhetoric. They claimed to teach virtue. In Sophist, "the Eleatic Stranger" (i.e., not Socrates) tries to figure out what a sophist really is, using a new "method of division." This Plato era provides a nice transition to the category man Aristotle, and the whole concern with sophistry is certainly still relevant today!

End song: "Dumb," by Mark Lint and the Fake from the album So Whaddaya Think? (2000).

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Socrates hangs out in the country flirting with his buddy Phaedrus. And what is this "Platonic" love? Using the enticement of desire not to rush toward fulfillment, but to get you all excited about talking philosophy. Socrates critiques a speech by renowned orator Lysias, who claimed that love is bad because it's a form of madness, where people do things they then regret after love fades. Socrates instead delivers a myth that shows the spiritual benefits of loving and being loved. With guest Adam Rose.

End song: "Summertime" by New People, from Might Get It Right (2013).

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More on The Ethics of Ambiguity (1947), this time on part III. (For Wes Alwan's summary of this book, go here). Ep. 140 laid out man's "ambiguity," but what does that mean in terms of practical decision making? B. talks about the practical paradoxes of dealing with oppression and what it might mean to respect the individual, given that there's no ultimate, pre-existent moral rulebook to guide us, nothing we can point to to excuse the sacrifice of someone to a "greater good."

Become a PEL Citizen to listen to the the Aftershow featuring Beauvoir scholar Jennifer Hansen.

End song: "Indiscretion (Mess Things Up)" from the 1993 Mark Lint album Spanish Armada: Songs of Love and Related Neuroses.

Continuing on Simone de Beauvoir's The Ethics of Ambiguity (1947), parts I and II. For Wes Alwan's summary of this book, go here. We discuss all the various ways to fail to wholly will your own freedom, i.e., will it all the way to where you will the freedom of others. Will you be "sub-man" or "serious man" or "nihilist" or "adventurer?" There are many ways to fail the existential test!

On The Ethics of Ambiguity (1947), parts I and II. For Wes Alwan's summary of this book, go here. We return to existentialism! Instead of describing our predicament as "absurd," de Beauvoir prefers "ambiguous": We are a biological organism in the world, yet we're also free consciousness transcending the given situation. Truly coming to terms with this freedom means not only understanding that you transcend any label, but also recognizing that your freedom requires the freedom of others. The full foursome discuss whether this attempt to ground an existentialist ethics works.

End song: "Reasonably Lonely," by Mark Lint.

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On Ain't I a Woman: Black Women and Feminism (1981) and Black Looks: Race and Representation (1992, Intro, Ch. 3, 11). How do these pernicious forces interact? hooks describes black women as having been excluded from both mainstream historical feminism (led by white women) and black civil rights struggles (permeated with patriarchy), and this "silencing" creates challenges for self-actualization and social justice. The solution: media critique of stereotyped images and personally connecting to a historical narrative of liberation. With guest Myisha Cherry, host of the UnMute Podcast.

End song: "Stories" by Mark Lint and Steve Petrinko (2011).

We interview John about Seeing Things As They Are (2015). What is perception? Searle says that it's not a matter of seeing a representation, which is then related to things in the real world. We see the actual objects, with no mediation. But then how can there be illusions? Well, it's complicated, but not too complicated, just some funny terminology that this episode will teach you.

Searle lays out his theory for us and amusingly dismisses much of the history of philosophy in the first half, and then Mark, Wes, and Dylan continue the discussion to make sure we understood what was just said and chase down some threads of the conversation.

End song: "Flesh and Blood" from The MayTricks' Happy Songs Will Bring You Down (1994).

We interview John about Seeing Things As They Are (2015). What is perception? Searle says that it's not a matter of seeing a representation, which is then related to things in the real world. We see the actual objects, with no mediation. But then how can there be illusions? Well, it's complicated, but not too complicated, just some funny terminology that this episode will teach you.

On Pierre Bourdieu's Distinction: A Social Critique of the Judgment of Taste (1979), introduction, ch 1 through p. 63, conclusion, and postscript. How do our tastes in music, art, and everything else reflect our social position? This philosophically trained sociologist administered a few detailed questionnaires in 1960s France and used the resulting differences in what people in different classes preferred and how they talked about these preferences to theorize about the role that taste plays in our social games. Featuring guest Tim Quirk of Too Much Joy and recent guest on Mark's Nakedly Examined Music podcast #8. 

End song: "When She Took Off Her Shirt" from Tim's band Wonderlick's Topless At The Arco Arena (2005).

On Theodor Adorno and Max Horkheimer's "The Culture Industry: Enlightenment as Mass Deception" from Dialectic of Enlightenment (1944), plus Adorno's "Culture Industry Reconsidered" (1963). How does the entertainment industry affect us? Adorno (armed with Marx and Freud) thinks that our "mass culture" is imposed from the top down to lull us into being submissive workers.

End song: "All Too Familiar," from around 1992 with all instruments by Mark Linsenmayer, released on The MayTricks.

A whole second discussion on G.F.W. Hegel's Encyclopedia Logic, hitting sections 78–99 on the dialectic and Understanding vs. Reason. Hegel thinks we can use Reason to objectively come up with basic metaphysical categories, but can we really? With guest Amogh Sahu.

This continues ep. 134. PEL Citizens can listen to the Aftershow.

End song: "Flow" by Gary Lucas and Mark Lint. Listen to Gary interviewed about this instrumental on Nakedly Examined Music #7.

On G.F.W. Hegel's The Science of Logic (1812–1816), §1–§129 and The Encyclopaedia Logic (1817) §1–§25. "Logic" for Hegel is about how thought interacts with the world. Our thoughts about fundamental metaphysical categories bear the same relations to each other as the the categories themselves do. Just take Hegel's many, many words for it! With guest Amogh Sahu.

End song: "Procrastination" by Steve Petrinko from The MayTricks' Happy Songs Will Bring You Down (1994). Hear Mark interview Steve on Nakedly Examined Music.

Wes Alwan and Danny Lobell were joined by St. John's Annapolis tutor Rebecca Goldner, Michael Burgess, Nick Halme, Erik Weissengruber, Chase Fiorenza, and Scott Anderson to review our episodes 130 and 131. This is the first 15 minutes. PEL Citizens can hear the full discussion, or anyone can watch it on YouTube

On Fromm's The Art of Loving (1956). What is love, really? This psychoanalyst of the Frankfurt school thinks that real love is not something one "falls" into, but is an art, an activity, and doing it well requires a disciplined openness and psychological health.

End songs: "Kimmy" (1995) and "Kimmy 2002" by Mark Lint.

On selected "moral epistles" (from around 65 CE) by Lucius Annaeus Seneca: 4. On the Terrors of Death, 12. On Old Age, 49. On the Shortness of Life, 59. On Pleasure and Joy, 62. On Good Company, 92. On the Happy Life, 96. On Facing Hardship, and 116. On Self Control. We're joined by Massimo Pigliucci of the How to Be a Stoic blog, who for a long time was on the Rationally Speaking podcast. How can one most profitably interpret weird-sounding Stoic recommendations about the emotions and about following nature?

End song: "I Lose Control" by The MayTricks from So Chewy! (1993).

Our second discussion of De Anima or On the Soul (350 BCE), this time on book 3. What is the intellect? We talk about its highest part/function: nous, which is a "form of forms," literally nothing until it thinks, survives death and is not actually yours or mine, but just the universal mind!

This continues the discussion from ep. 130 and includes a preview of the Aftershow featuring Rebecca Goldner.

End song: "Wonderful You" (live 2001) by Mark Lint.